Tomcraft's not done playing around with styles, though. It's a formerly signature sound that Tomcraft later abandoned in favour of a more underground feel.

Later bringing in a haunting piano melody, this is the complete smash. When that very first heavily flanged twang enters, you know that something big is about to go down! Soon, Tomcraft combines desperate female vocals talking about both happiness and loneliness and a gruff bass synth to create a powerful dancefloor-infecting overload. It's a very odd choice to start out the album, but Tomcraft really likes making unusual entrances, I guess.īut the main draw for this album is likely Loneliness, Tomcraft's biggest dance hit to date. We get very little respite before the powerful beats and sharp bass make their expected return. I don't quite understand them all, but we basically are told to come out for a little while. In the middle is an island of angelic pads and some strange lyrics. Thumping beats and a bubbly bassline lead us straight into the heart of the slightly hellish dancefloor filler some off-key synth jabs keep us afloat. So for the hourlong flight, we get to dance to the music of Tomcraft, apparently. The album starts off with For A While, which opens with an introduction to a flight to Munich (hence the title of the album, 'MUC', which is the code for the airport in Munich). Why not celebrate by looking at his second album, 'MUC'.What? Isn't that how we usually commemorate one's history: by overlooking their first achievement and moving on to the next one instead?

Tomcraft celebrated over 20 years in the music business last year, and rightly so: he's put out quite a solid amount of good, usually funky tunes.

Tomcraft loneliness vocals